from: Cross Rhythms Issue 68 (May/June 2002)
author: Mike Rimmer (UK)
website: http://www.crossrhythms.co.uk
»»
continuing
to thrive
Mike Rimmer caught up with NEWSBOYS
frontman Peter Furler in Holland and found the veteran pop rockers as
passionate as ever.
The Winter Wonder Rock Festival in Holland is in full swing in a huge
barn of a hall. The PA system struggles to pump out enough noise to
fill the place and consequently when the Newsboys hit the stage, they
have to work hard to overcome the general mugginess. It's been ten years
since the band played Holland and despite American tours that have been
high in gimmicks and pure entertainment, tonight it's the band, a few
lights, an overextended PA and a crowd of Dutch fans happy to see them
again.
Reflecting on the show Peter Furler's just played, he comments, "In
America, we've always got these bells and whistles, these rotating drum
rises, video screens, all sorts of stuff and tonight, it all just comes
down to the music. Tonight was as much to see if the music itself can
still speak as opposed to just the trickery, the smoke and the mirrors."
Stripped down and looking like a band ready to unleash their new album,
'Thrive', the rawness of their live set somehow manages to match the
edginess of the new album.
They'd bought themselves a bit of a break with the 'Shine' album, a
"greatest hits" package that's allowed them to have some time
out to do solo projects and finally they've checked out of the disco
and returned to working with Steve Taylor. The result is an album that
has a rockier feel and the band sound like they're enjoying successful
reinvention. Furler shares, "I think that one of the exciting things
about the band is that we get tired of ourselves very easily! You reinvent
yourself because you are sick of yourself! I feel really confident now
because I believe we've recorded the most exciting and strongest album
that we've ever recorded. It's just got the right amount of everything.
Even when I hear it myself, it's probably the first record we've made
where I like 80% of it."
Teaming up again with Steve Taylor will bring a smile to the faces
of most Newsboys fans since most of the band's best loved songs were
penned by Taylor. Furler comments about the new album, "It's got
that satire and that cheek that's always in our blood. It's also in
Steve Taylor's blood and he's very good at connecting it onto a sheet
of paper. Musically, I think we've just got better as songwriters but
it's a little bit more aggressive than what we've made in the past but
it's not way out of character, it's not silly. It feels very honest
though, a very, very hones records, lyrically."
ROCK SURVIVORS: Newsboys
That honesty also translates into Furler's own life. Over the course
of the conversation, it's clear that he hasn't wasted the band's time
off but instead has deepened his relationship with God. He describes
his life: "I've stayed in 10,000 hotel rooms
but I don't
know how to check into one! I've been a million rent-a-cars
but
I don't know how to rent one! There are people on the road that look
after you and they feed you and whatever. I just get handed a key and
everything's looked after. It creates a very selfish, un-Christ like
atmosphere. That's one of the circumstances where we should move away,
in relation to the differences between mainstream rock and those of
the faith. So it's like, when you get home and the phone rings, you
pick it up and you think it's room service! That attitude carries over
into every other part of your life. When you married which I have been
for nearly 11 years, all of a sudden, when you're meant to love your
wife as Christ loved the Church, you can think you're one that needs
to be taken care of and things change. That's the greatest thing about
marriage, that has really helped me. Just surrendering daily. I surrender
to it with my wife and I do it unto the Lord. We all have struggles
in all our relationships but now, by the grace of God, I just learn
to keep surrendering as unto the Lord. He honours it, he really does
honour it. That's what's changed everything."
» I've always felt that
there's this lie that goes around saying, 'Oh, you've only got one life
to live. You've got to be happy.' «
Watching the band play live and the crowd respond, I propose that it's
a difficult balance for modern Christian bands reconciling entertainment
and ministry. Furler admits there's a struggle. "The great English
writer Chesterton said 'What's wrong with the world
? Me!' So,
I think it's something I've definitely struggled with probably in the
last year or so. I've really struggled with being on stage and because
you can manipulate a crowd. That's something I feel I can really do.
I feel there's a gift there to have a crowd in your hands and make them
whatever you want them to do."
Peter hasn't always been that confident. He confesses that he was very
nervous when he stepped from behind the drum kit and became the band's
lead singer. "My first show was in Germany, which I did with my
eyes closed! My wife came back and said, 'It was good but you should
have opened your eyes at least once. You never saw Germany!" Furler
soon found himself enjoying the entertainment side of what he did. "It
brought things out that made something grow inside of me that fed that
selfish side and in the last year I've been working on trying to crush
that. Which we all have to do, don't we?"
Lyrically, the album reflects some of the changes in Furler's heart,
as he explains, "It's understanding the process of losing yourself
more and being able to put that into writing better than before. I've
always felt that there's this lie that goes around saying, 'Oh, you've
only got one life to live. You've got to be happy.' A lot of times,
that's what causes divorce and major strife because at what point do
we stop trying to find our happiness? Does it mean that if I don't like
you, I should kill you because that's going to make me happier? So there
has to be some level. The kingdom we serve is an upside-down kingdom.
So I've started looking at everything in reverse. The word that came
to me was a word that has sneaked around our community and it comes
in different forms. The word is 'thrive', which is the title of the
record. Especially being in America, in the last year or so, it's a
word that speaks of prosperity, blessing and a lot of the times it's
very ironic because sometimes when we talk about losing ourselves and
humility, those things, man!
that's really what thriving is about!
It's not about having the cash in the bank, a car and a house, the wife,
etc
and man, I was just miserable. Now I've realised that there
is another side to this faith that I believe in and it wants less of
me. That's what thriving is, as a seed falls to the ground and dies,
then it bears fruit."
Furler is on a roll as he continues, "We forget that; we just
always look at the bearing fruit but what we've got to do to get to
that. I think I've been able to put that onto paper a little more articulately
than before. Maybe because we've understood it a little more. You look
back and there are things that you've blown and what it's done is it's
really made me understand the grace through Christ, that we're righteous
because of our faith, not because of anything that we've done. That's
new to me every day. That mercy is new every day and it's also my fallenness
that seems to be new every day! I guess that's why the mercy's there
every day too! But greater is the mercy and grace where there's sin.
Grace does abound greatly, there is more grace than there is sin. I
believe that."
Mike Rimmer is a broadcaster and journalist and runs a media production
company called CMBC.
DISCOGRAPHY
Read All About It, Refuge, 1988
Hell Is For Wimps, Star Song, 1990
Boys Will Be Boyz, Star Song, 1991
Not Ashamed, Star Song, 1992
Going Public, Star Song, 1994
Take Me To Your Leader, Star Song, 1996
Step Up To The Microphone, Star Song, 1998
Lovelibertydisco, Sparrow, 1999
Shine: The Hits, Sparrow, 2000
Thrive, Sparrow, 2002
READ RERUN
Cross Rhythms 6, June/July 1991
Cross Rhythms 24, December 1994/January 1995
Cross Rhythms 33, June/July 1996
Cross Rhythms 46, August/September 1998 ««